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Timelines and Milestones
of Computer Animation and Visual Effects

This page contains a selection of timelines and milestones from the book.

Each of the categories is color-coded. The live action feature movies with computer-generated visual effects appear in green. (Winners of the AMPAS award for visual effects are marked with an asterisk). In magenta are animated feature movies, most of which include three-dimensional computer animation. Independent productions and short computer animations are in blue boxes.

Visual Effects Films
Animated Feature Films
Independent Shorts

Four additional categories that can be found in the book are not included here: Video and Computer Games, Computer Technology and Industry Events, Related Technologies and Events, and Television Programs

Late 1960s

Late 1970s

Late 1980s

Late 1990s


NOTE: An asterix in the visual effects green blocks (*) indicates winners of the AMPAS award in that category.


View or Download a color PDF

Selection of CG/VFX Milestones (1970-2002)

 


1960

1961

1962

1963

1964

The Time Machine *

The Guns of Navarone*

The Longest Days *

Cleopatra *

Mary Poppins *

The Last Voyage

The Absent Minded Professor

Mutiny on the Bounty

The Birds

7 Faces of Dr. Lao

Disney's One Hundred and One Dalmatians

Jason and the Argonauts

Atboftb Carrier Landing, a 3D animation with plotted drawings by William Fetter and W. Bernhart at Boeing in Seattle

John Whitney's Catalog, 16mm, 7min.

Disney's The Sword in the Stone

John Whitney's Lapis, 16mm, 8min.

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1965

1966

1967

1968

1969

Thunderball *

Fantastic Voyage *

Doctor Dolittle *

2001: A Space Odyssey *

Marooned *

The Greatest Story Ever Told

Hawaii

Tobruk

Ice Station Zebra

Krakatoa, East of Java

Stereo computer animations by Michael Noll and Bela Julesz at Bell Laboratories

Hummingbird by Charles Csuri, first examples of computer-generated representational animation

Disney's The Jungle Book

Planet of the Apes

A Boy Named Charlie Brown, by B. Melendez

Cockpit Simulation by William Fetter at Boeing has 3D computer-animated human.

The Yellow Submarine by George Dunning

Pas De Deux, by Norman McLaren

Permutations by John Whitney

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1970

1971

1972

1973

1974

Tora! Tora! Tora! *

Bedknobs and Broomsticks *

The Poseidon Adventure *

Westworld (AMPAS VFX Awards not given this year)

Earthquake

Patton

When Dinosaurs Ruled the Earth

Heavy Traffic by Ralph Bakshi

The Savage Planet by Rene Laloux

Hunger by Peter Foldes, National Film Board of Canada.

Fritz the Cat by Ralph Bakshi

Warner Bros.' Charlotte's Web

Animated Faces, by Fred I. Parke at University of Utah

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1975

1976

1977

1978

1979

The Hindenburg *

King Kong *

Start Wars *

Superman *

Alien *

Logan's Run *

Close Encounters of the Third Kind

The Black Hole
Moonraker

Star Trek

Galaxy Express 999, Japanese animation by Rintaro and Kon Ichikawa

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1980

1981

1982

1983

1984

The Empire Strikes Back *

Raiders of the Lost Ark *

E.T. the Extra-Terrestrial *

Return of the Jedi *

Indiana Jones and the Temple of Doom *

Vol Libre, fractal animation by Loren Carpenter

Dragonslayer

Blade Runner
Poltergeist

Growth, first in a series of abstract animations by Yoichiro Kawaguchi

Ghostbusters
2010

Looker, featuring Cindy the first virtual actor

TRON, becomes the first live action film with over 20 minutes of computer animation.

Bio-Sensor created at Osaka University and Toyo Links, is an early example of modeling with blobby surfaces and figure locomotion.

The Secret of Nyhm, by Bluth Productions

The Genesis Effect created by ILM for Star Trek II is the first all computer-animated visual effects film shot.

Still Life Etude, an early simulation of light, fog, rain, and skies created at Hiroshima University.

Carla's Island by Nelson Max at the Lawrence Livermore National Lab

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1985

1986

1987

1988

1989

Cocoon *

Aliens *

Innerspace *

Who Framed Roger Rabbit *

The Abyss *

Return to Oz
Young Sherlock Holmes

Little Shop of Horrors

Predator

Die Hard
Willow

The Adventures of Baron Munchausen

The Last Starfighter
Back to the Future

In Disney's The Great Mouse Detective the moving gears in the chase sequence are created with 3D computer animation.

Akira by Katsuhiro Otomo popularizes animé, feature-length sci-fi Japanese animation, with international audiences.

Many cars in Disney's Oliver & Company are 3D CGI models.

Back to the Future Part II
Indiana Jones and the Last Crusade
Field of Dreams
Ghostbusters II

The Last Starfighter, by Digital Productions, is first live action feature film with realistic computer animation of highly detailed models.

John Laseeter's Luxo Jr. is nominated in the AMPAS Animated Short Films Category.

Stanley and Stella: Breaking the Ice by Symbolics Graphics and Whitney Demo Productions, early flock animation

Pixar's Tin Toy by John Lasseter and William Reeves wins the AMPAS Animated Short Films Category.

The Abyss includes first convincing three-dimensional character animation.

The Black Cauldron, first Disney animated feature film to use some computer-graphics technology

The still image Road to Point Reyes redefines realism by compositing graftals and fractals to portray a landscape.

Red's Dream by Pixar

Technological Threat by William Kroyer and Brian Jennings

The Little Mermaid is Disney's last film to use traditional ink and paint. It's closing shot is done with CAPS.

Brilliance commercial featuring a sexy female robot with convincing realistic motion created by Abel and Associates

Visitor on a Foggy Night by the Computer Graphics Research Group at Hiroshima University

Baloon Guy by Chris Wedge at Ohio State University

Locomotion, a Pacific Data Images short, is an early example of squash-and-stretch.

Kiki's Delivery Service by Hayao Miyazaki opens in Japan.

Growth III by Yoichiro Kawaguchi

The Sky, simulations of light and skies by Prof. Nakamae's research group at Hiroshima University

Knickknack by Pixar,

Don't Touch Me by Kleiser-Walczak, early character animation with motion capture techniques

Preview of The Works created at the NYIT

The Little Death by Matt Elson at Symbolics

Eurythmy by Susan Amkraut and Michael Girard

Study of a Numerically Modeled Severe Storm, early visualization

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1990

1991

1992

1993

1994

Total Recall *

Terminator II: Judgment Day *

Death Becomes Her *

Jurassic Park *

Forrest Gump *

The Hunt for Red October

Backdraft

Aliens

Cliffhanger

The Mask

Back to the Future III
Die Hard 2

Hook

Batman Returns
The Lawnmower Man

The Nightmare Before Christmas

True Lies
The Flintstones

Disney's The Rescuers Down Under, first Disney animated feature film done entirely with the first version of the CAPS System

Terminator II is the first mainstream blockbuster movie with multiple morphing effects and simulated natural human motion.

Aladdin is Disney's first use of 3D organic surfaces and a fully computer-animated character.

Jurassic Park sets new standards for inverse kinematics and digital compositing.

The wildebeest stampede in Disney's The Lion King is a tour de force in the integration of 3D computer animation with traditional animation.

Hanna-Barbera's Jetsons: The Movie includes computer-animated vehicles and environments.

The animated camera in Disney's Beauty and The Beast travels in 3D space; first animated film to be nominated for the AMPAS Best Picture Award.

Liquid Selves, particle systems animation by Karl Sims

The computer animation for the Babylon 5 TV series is initially produced entirely with off-the-shelf microcomputer systems.

Listerine Arrows TV commercial by Pixar

Panspermia by Karl Sims, an early computer animation created with particle systems

Mutations by William Latham and IBM UK

Don Quichotte by Video System uses keyframe character animation techniques.

The Seven Wonders of the World by Electric Images pushes the boundaries of architectural visualization.

Primordial Dance by Karl Sims uses particles.

Leaf Magic by Alan Norton uses motion dynamics animation.

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1995

1996

1997

1998

1999

Babe *

Independence Day *

Titanic *

What Dreams May Come *

The Matrix

Apollo 13

Congo

Dragonheart

Twister

The Lost World: Jurassic Park

Starship Troopers

Mighty Joe Young

Armageddon

The Mummy

Star Wars: Episode I&endash;The Phantom Menace

Casper

Jumanji

Stargate

Species

James and the Giant Peach includes a wide variety of traditional and computer animation techniques.

The Fifth Element

Batman & Robin

Mars Attacks!

The Rock

Mouse Hunt

Godzilla

Small Soldiers

Pleasantville

Wild Wild West

Stuart Little

Sleepy Hollow

Fight Club

Toy Story becomes the first fully 3D computer animation feature film.

Disney's Hunchback of Notre Dame has 3D confetti, crowds, and architecture.

Princess Mononoke by Hayao Miyazaki opens in Japan.

Disney/Pixar's A Bug's Life and DreamWorks/PDI's ANTZ present insect worlds.

2D brushstokes recreated on 3D geometry in Disney's Tarzan.

The canoe and Mother Willow in Disney's Pocahontas are created with 3D.

Warner Bros.'s Space Jam features the Loony Tunes characters.

Disney's Hercules is memorable for the Hydra sequence and the morphing of cloud paintings.

The Hun crowd simulation and props in Disney's Mulan are 3D.

Disney/Pixar's Toy Story 2 takes Buzz and Woody to new levels of comedic and technical achievement.

the end by Chris Landreth

The Fight by Acclaim Entertainment proves the viability of motion capture for character animation.

Pixar's Geri's Game by Jan Pinkava is modeled with subdivision surfaces, wins AMPAS Animated Short Films Award.

Prince of Egypt by DreamWorks presents a stylized approach to characters and superb effects animation.

Disney's Fantasia 2000 includes computer-generated sequences, released in IMAX.

Joe's Apartment Roach Rally by Blue Sky Productions.

Soulblade by NAMCO is a weapon-based fighting game with impressive animation.

Low-budget Rugrats is a box-office success.

Warner Bros.' Iron Giant has a fresh animation style and great non-realistic rendering.

Virtual Andre commercial by Digital Domain showcases motion capture.

Chris Wedge's Bunny at Blue Sky Studios wins the AMPAS Award, Animated Short Films Category.

Tightrope by Daniel Robichaud at Digital Domain.

Bingo by Chris Landreth explores neo-Dada theatre.

Race For Atlantis animated for IMAX by Rhythm & Hues.

Fishing and Spatial Frames by PDI with watercolor-like rendering and a surreal comedy of spatial errors

Fiat Lux by Paul Debevec, a landmark in image-based rendering

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2000

2001

2002

2003

2004

Gladiator *

The Lord of the Rings: The Fellowship of the Ring *

The Lord of the Rings: The Two Towers *

The Lord of the Rings: The Return of the King*

(Academy Award winner not selected yet)

Hollow Man

The Perfect Storm

Artificial Intelligence

Pearl Harbor

Spiderman

Star Wars: Episode II - Attack of the Clones

Master and
Commander: The Far Side of the World

Pirates of the
Caribbean: The
Curse of the Black Pearl

102 Dalmatians

The Adventures of Rocky & Bullwinkle

Cast Away

The Cell

Dinosaur

Dr. Seuss' How the Grinch Stole Christmas

Mission: Impossible 2

Mission to Mars

Pitch Black

Red Planet

X-Men

Black Hawk Down

Cats & Dogs

Enemy at the Gates

Evolution

The Fast and the Furious

Harry Potter and the Sorcerer's Stone

Jurassic Park III

Lara Croft Tomb Raider

Monkeybone

The Mummy Returns

Planet of the Apes

Spy Kids

Swordfish

Astérix & Obélix: Mission Cléopâtre

Blade 2

Die Another Day

Eight Legged Freaks

Harry Potter and the Chamber of Secrets

Men in Black 2

Minority Report

Panic Room

Reign of Fire

Resident Evil

Scooby-Doo

The Scorpion King

Spy Kids 2: Island of Lost Dreams

Stuart Little 2

The Time Machine

xXx

Daredevil

The Hulk

Kangaroo Jack

Lara Croft: The Cradle of Life

The League of Extraordinary Gentlemen

The Matrix: Reloaded

The Matrix: Revolutions

Spy Kids 3: Game Over

Terminator 3: Rise of the Machines

X2: X-Men United

Around the World in
80 Days
Catwoman
The Chronicles of
Riddick
The Day after
Tomorrow
Harry Potter and the
Prisioner of Azkaban
The Haunted Mansion
I, Robot
Kill Bill-Vol. 2
Sky Captain and the
World of Tomorrow
Spiderman 2
Troy
Van Helsing
Thunderbirds

Disney's Dinosaur combines live action backgrounds with realistic 3D computer animated characters.

The AMPAS creates new category for Best Animated Feature. DreamWorks' Shrek wins, runner-ups are Jimmy Neutron Boy Genius, and Pixar's Monsters, Inc.

The Lord of the Rings 2 uses a combination of performance capture and keyframe techniques to animate the Gollum character, superb crowd simulation software.

Finding Nemo *

Brother Bear


Les Triplettes de Belleville

The Incredibles
The Polar Express
Shrek 2
Terkel i knibe
(Denmark)
Immortel, Enki Bilal
Ghost  in the Shell 2 :
Innocence
Shark Tale

Pixar's For the Birds by Ralph Eggleston wins AMPAS award.

Atlantis: The Lost Empire

Final Fantasy: The Spirits Within

Marco Polo: Return to Xanadu

Spirited Away *

Ice Age

Lilo & Stitch

Spirit: Stallion of theCimarron

Treasure Planet

Sinbad: Legend of the
Seven Seas


Piglet's Big Movie


The Jungle Book 2

Onimusha is Best Animated Short at SIGGRAPH 2000.

Mutant Aliens

Osmosis Jones

The Prince of Light

Recess: School's Out

Waking Life

El bosque animado

Hey Arnold!

Mutant Aliens

The Powerpuff Girls First Feature

Return to Never Land

The Wild Thornberrys

Looney Tunes:
Back in Action

Millenium Actress

Pokèmon Heroes


Rugrats Go Wild!


Tokyo Godfathers

Victor Navone's Alien Song is widely viewed on the Web.

Pixar short Mike's New Car by Pete Docter and Roger Gould.

Eric Armstrong's The ChubbChubbs wins AMPAS Short Award.

Van Phan's Values is Best Animated Short at SIGGRAPH 2001.

Memorable commercials for Blockbuster's Carl and Ray, Levi's, X-Box Mosquito, and Game Boy Advance.

Tomek Baginski's The Cathedral is Best Short at SIGGRAPH 2002.

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Scroll through the full list of Academy Award VFX Winners since 1939

 


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A selection of computer animation and visual effects timelines and milestones from the "Art of 3D" Kerlow book.

Timelines. Updated September 20, 2004. © Isaac Kerlow.

All rights reserved. Not to be reproduced without permission.