YOU
|
Contact information
|
Your Mail Art name |
|
Your email address |
|
Your postal address |
|
YOUR PERMISSION
|
Permission
to use your responses |
For use in honoria's dissertation at
The University of Texas in Austin |
I give my permission to use my responses to the questions on this form in honoria's (Madelyn Starbuck's) doctoral dissertation data and published dissertation.
Yes No
|
To be contacted by honoria for an interview |
I am interested in being contacted for a personal interview about comparisons between Mail Art and Web Art issues.
Yes No
|
YOUR PAST
|
Your experiences in networking art
|
How many years have you been involved in Mail Art? |
|
How many years have you been involved in Internet-based Art? |
|
Do you have a website? |
|
YOUR PRESENT
|
Your experiences in networking art now.
|
Please describe your involvement in Mail Art. |
|
Please describe your involvement in Internet Art. |
|
YOUR OBSERVATIONS
|
|
This academic research targets artists who have both of the following kinds of networking art experience.
First, artists who have actively been involved in the Mail Art Network (LINK to FAQ) as a participating Mail Artist for at least one year;
and
second, artists who have active experience using networked computers as a participating Internet artist for at least one year.
If you have experience in both Mail Art and Internet art, please fill in this electronic form or write to honoria to be interviewed by email, telephone, or in person.
..................................
|
RESEARCH QUESTIONS
Based on your experience as both a Mail Artist and an Internet artist, please briefly describe your observations of both art networks in the following categories. |
1. Values |
|
2. Attitudes |
|
3. Similarities |
|
4. Differences |
|
5. Your personal direction as a Mail Artist |
|
6. Your personal direction as an Internet artist |
|
7. Your opinions on the general direction of Mail Art |
|
8. Your opinions on the general direction of Internet art |
|
9. What have you learned from your networked art experiences? |
|
|
|
|
|