Left: Elana Logsdon and Sandy Stone during a fitting session prior to the dry run, 19 October 2000;
Right: Live performance at Jim Jarmusch: Love and Sprockets, Cinematexas Festival, 21 October 2000

Project statement

PGP, the Public Genitals Project, is designed to playfully question the boundaries between inside and outside, revealed and hidden, representation and reality. It deals quite literally with mapping body memories onto bodies, and with projecting body images from layer to layer of social presentation and representation from skin outward to clothing. It also collapses distance and time by using realtime imaging from sites around the world mapped onto bodies in Austin.

Each PGP unit consists of a video broadcast receiver, battery pack, two small loudspeakers, and two laptop computers with flat screens (backlit TFT type) worn by a person walking the streets of Austin. The computers are modified so the motherboards may be taped to the backs of the flat screens. In one version of the design the person is naked except for the screens, which are attached to suspenders and worn so they cover the genital areas front and back. In the second version the person is fully clothed except for cutouts over the genital areas front and back, within which the two screens are mounted. The receiver and battery pack are attached to a belt which is worn around the waist.

In operation, participants worldwide send images of their genital areas via webcams to a server in the ACTLab. The received images are digitally manipulated according to an algorithm driven by the number of times the words "sex" and "violence" appear on the webpages of CNN, MSNBC, and CBS. The digital manipulation abstracts the images; in other words, they cease to be representations of individuals' body parts, instead becoming more like imperfectly remembered things -- the more the terms "sex" and "violence" appear in the media, the more that actual body images recede toward imagined recollections. The images are then broadcast to the belt-mounted receiver, and thence displayed on the two flat screens. Concurrently, the loudspeakers present ethnographically recorded narratives of personal experiences with nudity, shyness, and desire, which are stored as sound files on the computers. The juxtaposition of images and physical body surface is meant to convey the illusion that the viewer is looking through a transparent electronic window at the surface of the wearer's body.

PGP, the Public Genitals Project, is designed by Allucquere Rosanne Stone,
realized by Michael Allan, James Craig, Ryan Gibson, Todd Gurkis,
Kurt Korthals, Micah Magee, Emily Mae Smith, and Elana Logsdon,
based on a concept by Rich MacKinnon and the work of the ACTLab
seminar Theory and Methods of an Unnameable Discourse 1995-1997,
sponsored by and presented as part of
The Cinematexas Festival of Short Film, Video, and Performance, Austin, Texas.

Public Presentations of the Proof of Concept Installation

THURSDAY, 19 OCTOBER 2000
9:00 p.m.: The Trouble With Asians Reception -- 120 W. 5th Street, #5
9:30 p.m.: Video Art Drive-By -- Lutheran Center -- 2100 San Antonio
10:00 p.m.: International Program 3 -- Texas Union, 24th and Guadalupe
Midnight: One appearance at Alamo Draft House, 409 Colorado,
One appearance at UT Program 3, Texas Union, 24th and Guadalupe

FRIDAY, 20 OCTOBER 2000
10:00 p.m.: Miranda July and Merzbow, UTC, 3 blocks east of Guadalupe on 21st St.
10:30: International Program 2, Dobie Theater, 2021 Guadalupe
Midnight: Midnight 2, Alamo Draft House, 409 Colorado St.

SATURDAY, 21 OCTOBER 2000
7:30 p.m.: Jim Jarmusch: Love And Sprockets, Texas Union, 24th and Guadalupe

SUNDAY: CINEMATEXAS RUN ENDS -- NEXT APPEARANCE TO BE ANNOUNCED
WE ARE STILL ACCEPTING UPLOADS
HEARTFELT THANKS TO ALL OUR SUPPORTERS

 
MAKE STUFF -- TAKE RISKS -- THINK CONVERGENT MEDIA